New Orleans Balconies

I’ve just returned from a few days in the wonderful, timeless city of New Orleans.  I could not help wondering if Quincy Tahoma ever saw that city?  The odds are slim, but the possibility persists.

The De La Salle Christian Brothers, a French Catholic religious order, founded St. Michael’s school in Santa Fe in 1859 as part of San Miguel Mission.  Originally, the school was open for boys only, and girls went to the Sisters of Loretto Academy nearby.  The street now known as Santa Fe Trail was called University in Quincy’s day because it ran beside the St. Michael’s school.

Quincy Tahoma found a friend in Brother Francis at St. Michaels during the 1950’s. In exchange for a place to stay when he was out of money and recovering from a bout of drinking, Quincy painted pictures for the Christian Brothers, which they still display in their living quarters on the campus of the new St. Michael’s High School on the east side of Santa Fe.  Quincy wrote a letter to Brother Francis after the former principal of the school had retired to the main office of the Santa Fe District of the Christian Brothers. That main office still stands in Lafayette, Louisiana.

In the letter, Quincy says that he might come down there next winter, and inquires whether they have any museums there. Harrison Begay says that he thinks Quincy once traveled to Louisiana, but we can find no other record of such a visit. We have also been unable to learn whether the Christian Brother’s archives contain any correspondence between Quincy and Brother Francis, or if any of his paintings made their way to Louisiana.

Of course, if you have any knowledge about this chapter of Quincy’s life, or if you can lead us to someone who might know, we would appreciate your help.  We are sharing what we know so that others may share with us what they know about Quincy Tahoma. The more stories we have, the better picture we can paint of his life.

Posted by Vera Marie Badertscher May 25, 2009

Photograph by Vera Marie Badertscher. All rights reserved.

Writing a biography of Quincy Tahoma took a lot of research verging on detective work. We started our research with questions.

• Where was Quincy Tahoma born?
• What was his clan?
• Were any of his family members still living?
• Was he, in fact, adopted, and if so, why?
• What caused the injury to his arm that many people mentioned?
• What did he do during World War II? (Many biographical sketches said he served in the armed forces, and some even said he was a Code Talker.)
• Why did he die so young?
• Where is he buried?
• Where are his paintings today?
• Why did he go from Arizona to Santa Fe for school?
• Who were his friends? Did he ever marry?
• Who influenced his painting?
• Where did he live during his life? Where did he travel?
• Did he ever return to the Navajo reservation?

Some questions were quickly answered, but we tried to verify from more than one source. Every time we found an answer to a question, we found more questions.  And we found no answers at all for some questions.

But what we did find amazed and delighted us.  We never dreamed that we would find so many people who knew Tahoma personally, or that children and nieces and nephews of people who knew him would be able to tell us stories passed down through their families.

If you continue to read these pages, you will see where we went to find answers and you will have an opportunity to help us answer more questions. And any time that YOU have a questions, please ask. We’ll be happy to try to answer.

In order to keep track of the entire journey, we encourage you to subscribe to the blog by RSS feed or by e-mail. And do tell your friends, won’t you?

Cliffor Brito and his custom painting

It was certainly an unusual friendship, the jailer and the prisoner.  Or was it?!!

Quincy Tahoma seemed to make friends everywhere he went, and the Santa Fe jail was no exception.  As a 1950s frequent guest due to public intoxication, the young Navajo endeared himself to the guard, Clifford Brito, who let the artist out of his cell to perform janitorial duties and to paint.

Tahoma showed his gratitude by painting a beautiful scene of a brave rounding up horses.  The art work was custom designed to fit over the doorway of the jailer’s mobile home and  Brito treasured that painting until his death in 2008.

You can view Clifford Brito and his painting in the slide show on the home page of  the Tahoma web site. I took this picture when I interviewed him in 2004 during a research trip to New Mexico.

Do you know of other instances of jailers and prisoners becoming friends? Have you heard any other jail-time stories about Quincy Tahoma?  We were told, for instance, that he was briefly incarcerated in Indiana or Illinois while on a road trip with a friend, but the details of that adventure are scant.

Photograph by Charnell Havens. All rights reserved.