New Orleans Balconies

I’ve just returned from a few days in the wonderful, timeless city of New Orleans.  I could not help wondering if Quincy Tahoma ever saw that city?  The odds are slim, but the possibility persists.

The De La Salle Christian Brothers, a French Catholic religious order, founded St. Michael’s school in Santa Fe in 1859 as part of San Miguel Mission.  Originally, the school was open for boys only, and girls went to the Sisters of Loretto Academy nearby.  The street now known as Santa Fe Trail was called University in Quincy’s day because it ran beside the St. Michael’s school.

Quincy Tahoma found a friend in Brother Francis at St. Michaels during the 1950′s. In exchange for a place to stay when he was out of money and recovering from a bout of drinking, Quincy painted pictures for the Christian Brothers, which they still display in their living quarters on the campus of the new St. Michael’s High School on the east side of Santa Fe.  Quincy wrote a letter to Brother Francis after the former principal of the school had retired to the main office of the Santa Fe District of the Christian Brothers. That main office still stands in Lafayette, Louisiana.

In the letter, Quincy says that he might come down there next winter, and inquires whether they have any museums there. Harrison Begay says that he thinks Quincy once traveled to Louisiana, but we can find no other record of such a visit. We have also been unable to learn whether the Christian Brother’s archives contain any correspondence between Quincy and Brother Francis, or if any of his paintings made their way to Louisiana.

Of course, if you have any knowledge about this chapter of Quincy’s life, or if you can lead us to someone who might know, we would appreciate your help.  We are sharing what we know so that others may share with us what they know about Quincy Tahoma. The more stories we have, the better picture we can paint of his life.

Posted by Vera Marie Badertscher May 25, 2009

Photograph by Vera Marie Badertscher. All rights reserved.

Tesuque Drive-In Theater with Mural Quincy Tahoma Painted

August 31, 2004

“History is documented with ‘personal recollections.’”

Mona Ortiz Stetina wrote that in an e-mail to Anne Cavanaugh at the Santa Fe New Mexican.

We had written an article for the New Mexican telling people a little bit about Quincy Tahoma and our project and asked for their help. Along with the article, we printed a picture loaned to us by Dan Fannell whose step father Jim Wilson was one of the many people who had befriended Tahoma. A drive-in movie had provided a giant canvas for one of Quincy’s favorite subjects—a horse being spooked by a skunk. We did not know the name of the drive-in, but had been told it stood on Cerillos Road in Santa Fe.

Anne Cavanaugh did some research and came up with Pueblo Drive-In. Well, plenty of people wrote and e-mailed the New Mexican to set us straight. The theater actually was located at Tesuque Pueblo. It was the Pueblo Drive In, but we had the wrong location. Unfortunately, this, the largest “canvas” ever painted by Tahoma eventually was torn down along with the drive-in. Later, a successor, also called Pueblo, was built on Cerillos Road. Our thanks to the many people, like Mona and Elivra Vigel Ogard and John Rodriquez and others who delved into their childhood memories to straighten us out on this bit of history. History indeed is documented with personal recollections.

Do you know someone with personal recollections of Tahoma?  We would love to share that information here. And if you like reading about Quincy Tahoma and the making of his biography, please share by clicking on the social networking buttons below.

]]> http://tahomablog.com/2009/04/29/personal-recollections/feed/ 0 http://tahomablog.com/2009/04/29/price-of-a-taxi/ http://tahomablog.com/2009/04/29/price-of-a-taxi/#comments Wed, 29 Apr 2009 19:36:14 +0000 pen4hire http://tahomablog.com/?p=10 September 5, 2004

I grabbed the manila envelope from my husband as he walked in from the mailbox. I had eagerly looked forward to hearing the tapes of Charnell Havens interviewing Jean Wallace McSwain about dating Quincy Tahoma.

Jean evoked the Santa Fe of the 1940’s and the parties where young Anglos and young Indian artists met and talked about art and life. As Jean recounted the story of the unlikely romance of a young woman who had grown up in Connecticut and attended a private school with a Navajo who had grown up in a hogan and attended Santa Fe Indian School, Charnell asked about prosaic things like transportation. Jean said she and Quincy mostly walked around town, but sometimes he would come and pick her up in a taxi. Charnell wondered what the fare would have been, and Jean did not know for sure, but said it was cheap.

Meanwhile, back in Tucson, I had been reading Turn Left at the Sleeping Dog, John Pen La Farge’s collection of oral histories of Santa Fe. There I learned that you could take a taxi anywhere within the city limits for fifty cents. Now we can picture Quincy fishing two quarters out of his jeans pocket to pay the cab driver. You never know when a detail like the price of a taxi ride may fit into the story of a life.

Ice delivery? Milk in bottles? What detail captures your life long ago?

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